Showing posts with label dancing. Show all posts
Showing posts with label dancing. Show all posts

Tuesday, August 04, 2009

The 2009 Unofficial Blue Skies Music Festival Page

The Blue Skies Music Festival has no web page.

I assume this is for some combination of the following reasons:

  1. The Hats don't want more people to know about the festival because there are already too many people begging to buy tickets every year.
  2. The internet runs on electricity that could be generated by nuclear reactors fueled by uranium that might be mined near Clarendon.
  3. A majority of the Hats would like to have a website, but simply cannot agree on whether it should be a blog or wiki, never mind whether to go with Wordpress or Blogspot.

With this void, I have decided to step in and provide some handy reference material.

2009 Main Stage Performers

Friday

7:30 pm Goat Note

8:30 pm O'Darling

9:30 pm James Hill [MySpace Last.fm]

10:30 pm Delhi To Dublin [MySpace]

Saturday

3:00 pm The Abrams Brothers [MySpace]

7:00 pm Splash N'Boots [Last.fm]

8:00 pm evalyn parry [MySpace CBC3 Last.fm]

9:00 pm Notre Dame de Grass [MySpace]

10:00 pm De Temps Antan [MySpace Last.fm]

11:00 pm Jack De Keyzer

Sunday

7:45 pm Bill Staines [MySpace Last.fm]

8:45 pm Matt Andersen

9:45 pm Rant Maggie Rant [MySpace]

10:45 pm James Cohen

11:45 pm C.R. Avery [Myspace]

Tweeners

Links:

Sunday, June 14, 2009

See Propeller Dance's Lift on Friday June 19

This is another must-see recommendation.

Honestly. I am not telling you should see this because your presence will be supporting people who are doing good work.

I am telling you that you should go to the Propeller Dance show because it will do you good. {Lift} a celebration and evening of performance works by Propeller Dance artists Performances Live Music Silent Auction Regular $26 Special Supporter $56 Box office 613-236-5196 Irving Greenberg Theatre Centre Mainstage Friday June 19, 2009 at 7:00 pm

P.S. There are some very cool things in the Silent Auction

Sunday, May 31, 2009

Square Zero 3

If you're reading this before 8pm on Sunday Night (May 31) you should get yourself over to Rideau Street to see Square Zero 3.

It's a really cool set of performance pieces put on by Collective Gulp and sponsored with City of Ottawa funding.

In the first piece, an old-school overhead projector is part of the performance. Excellent fun and makes for cool James Bond opening bits.

In the second piece, Alexis and Elizabeth have fun with randomness.

In the third piece, Megan Jerome tells beautiful stories and sings beautiful songs with her beautiful voice. One of them is an ode to the Ottawa man who wears aluminum foil and plastic. It might make your eyes get all wet.

square zero 3: intimate exchanges May 29, 30, 31, 20098:00pm Movement Arts Ottawa 111a Rideau Street 3rd Floor $12/$10

Links:

Wednesday, August 13, 2008

Guide to the Blue Skies Music Festival: Dancing

Of course there is dancing at the Blue Skies Music Festival. Lots of it. Special dance features unique to Blue Skies:

  • At 4pm on Saturday and Sunday there is a square dance. It is an absolute hoot. You don't need to bring a partner and you don't need to know how to square dance. (But really, deep inside, everyone knows how to square dance.) Added bonus - huge live square dance band and a live caller. This isn't your grade three teacher playing scratchy recordings.
  • You can dance off to the side of the mainstage during any of the performances.
  • If the music is kind of boring, this is a perfect place for you to dance spacey. Some people will think you are a groovy type who is experiencing the magic of Blue Skies. Others will think you are playfully making fun of the groovy types. In any case, you're getting to do something instead of begging in your head for the next act to come on stage.
  • If the band is raucous and really danceable, you can dance in front of the stage. If you are sitting near the stage, you should be prepared for this to happen. If you are one of the first dancers, be careful you don't step on any sleeping children.
  • If the band invites you to dance on the stage, don't do it. Polite volunteers will escort you right back off. Even if you are super hot and wearing a bikini and people in the crowd boo at the volunteers.

[P.S. This advice can be easily adapted for the Ottawa Folk Festival. Except that this year, they've got a special dance tent set up for dancing all day and I can't tell you where you're allowed to dance at the mainstage, but for heaven's sake, don't do it in front of the lawn chairs.]

Thursday, March 06, 2008

It's still winter, but...

Yes, it is still winter, yes, there is lots of snow, and ice.

On the other hand, it is also Roll up the Rim season.

Free Coffee

Did you know that until March 9, you can bring in a losing Tim Horton's Roll Up The Rim cup to Country Style, the Ontario coffee chain and get a free medium coffee? (store locator)

[I found out about this because I have RedFlagDeals freebies on my RSS Reader. I also learned that you can visit Tena.ca and sign up for a free sample of an undergarment product designed for those suffering from bladder weakness. Someone might want to pass this deal on to Ontario's health minister, George Smitherman.]

Ready to Expand Your Brain? Time for Spring Sign-ups!

A great way to flex and stretch your body and your brain would be to take a class with Propeller Dance.

Saturday, November 17, 2007

View Finder - A performance creation in progress

I took many photos during Alan, Shara and Renata's performance last night. I love watching them dance together. You can kind of get that feeling with the slide show below. Click a few times and set the speed to 1 second to get the effect best.

Sunday, October 28, 2007

Uses for Binder Clips - Hallowe'en

Have I ever mentioned that I lead a charmed life?

The latest proof of this came yesterday when, not one, but two beautiful women came to my Hallowe'en party sporting binder clips as part of their costumes.

Perhaps you are thinking this could happen at any Hallowe'en party, and you are correct. However, in this case it was no accident. Each of these women, independently and without consultation asked themselves "What would David Scrimshaw want?" and came up with binder clips as the answer.

They were absolutely right. Of course.

The world would be a better place if more of you, before doing anything, asked: "What would David Scrimshaw want?"

(And for the record, guests at the party who and came up with "fishnet stockings" as an answer were not necessarily wrong.)

Links:

The mutually-adored Megan's take on the party

My Flickr set of party photos

Monday, May 14, 2007

DanceAbility Show: Monday May 28

The School of Dance presents:

YOU, ME, US

DanceAbility Performer Dallacy Tukkiapik, Photo by Jake Hanna

DanceAbility Performing Group Co-Directed by Shara Weaver and Renata Soutter,

Music by Dominique Saint-Pierre
Special Guest Steve Wint Monday, May 28, 2007, 7:00pm Tickets $25 4th Stage, National Arts Centre 53 Elgin Street, Ottawa Ticket advance purchase only at The School of Dance 613-238-7838 theschoolofdance@magma.ca Celebrate DanceAbility’s Fifth Year Anniversary! Information: Shara 613.240.9775 sweaver[at]magma.ca or Renata 819.773.7523 soutter[at]magma.ca

Wednesday, March 21, 2007

DanceAbility - Community Day, April 1, 2PM

There will be dancing, demos from our community group, youth/adult classes and kids' wing and time to meet the PEOPLE that have made this project so successful.

Refreshments will be served.

Its going to be a party!!!

Sunday April 1st, 2007 2-4PM

Dovercourt Recreation Centre 411 Dovercourt Ave. (Westboro)

$5 (or pay what you can)

More Info: Shara Weaver (613)240-9775 or sweaver[at]magma.ca

Danceabiliity is run through The School of Dance. Thanks to Dovercourt Recreation Centre, Carlington Community & Health Services, Ottawa School of Speech and Drama and the Nepean Creative Arts Centre. Photos: Stephen Beaton, Eric Mercier. Dancers: Jennifer Lafontaine, Chris Wheeler, Denbeigh Bowes, Mark Mosielski, Robert Chartier, Benjamin Firth, Aaron Macleod, Lauren Macleod, Jessie Huggett.

Wednesday, December 20, 2006

DanceAbility - Works in Progress 2006 - Documentation

Because I am the new volunteer coordinator for DanceAbility, last week I was looking for people to help with the Works in Progress show. So many people want to help it is actually very easy to find someone to do just about anything you could imagine.

Shara and Renata had asked me to find people to help document the performance, and I wound up with three photographers, two video camera operators, and a writer with a laptop. Renata had thought it would also be great to have a visual artist there to sketch. Unfortunately nobody stepped forward.

The night before the show, I almost found someone at the Collective Gulp show, but on the performance day, she felt nervous because she hasn't drawn anything for a long time, and so she shot video when one of our camera guys had to cancel and then she sold baked goods.

You know what happens when you're the volunteer coordinator and you don't find someone to do a job?

You do it yourself, and hopefully, you do it in such a way that others realize that they could also do it, and in fact, do it better.

Mind you, that is not what the "I'm not doing it any more" is about. That's a quote from the performer in the flashy blue shirt with the stripey things. I suspect he'll be doing it more, just like I will be.

Update: Photos by Eric Mercier and Stephen Beaton now up on Webshots. Click here for the album, or here for a slide show.

DanceAbilityWIP_Eric_Mercier005

Sunday, December 10, 2006

DanceAbility Show: Works in Progress

The DanceAbility Performing Group; photo: Stephen Beaton
Works in Progress - Informal Showing Thursday, December 14th, 2006 Nepean Creative Arts Theatre 35 Stafford Rd., Nepean, ON [Map] 7:00 pm - 8:30 pm. Performance followed by feedback and hang out session. Pay what you can; $10 suggested

Sunday, November 05, 2006

Culture Shock on a Saturday Night

Saturday night, I hit the town with a bright blue bandaid on my forehead.

First Stop - Reading at Venus Envy

Apparently some sour blogger out there has referred to Megan Butcher as a "sex fiend". Megan seems pleased by this and says she plans to get a t-shirt proclaiming it. (Apparently this blogger said something about Jennifer Whiteford liking children and small animals, but it didn't seem as likely that she'll be getting a t-shirt to advertise this.)

Megan gave a powerful reading, I managed to draw a picture that doesn't look much like her. Her reading was too short for me to try for another one that looked more like her.

"I don't normally write about sex, because, uh" said Jennifer before she read us the story of a teenage girl losing her virginity, "I'm a prude."

Given her apparent comfort reading aloud while in front of a display that contained bondage restraints, dildo harnesses and DVDs with titles like Spank Me; Jennifer's definition of "prude" is more inclusive than my definition might be.

I'm afraid I have no picture of Jennifer, because I just couldn't get anything remotely like her. I'm blaming my pen. I need just the right pen to draw pretty women.

I also failed with Jesse Dangerously. I'm not blaming the pen for my failure with him, I'm blaming him. He moved around too much for me to get one angle very long and he talks so fast when he's rapping that I had to put down my drawing stuff and focus all my attention on him to catch anything he said. Jesse is really likable and I liked his stuff even though I'm not into rap. I do have to admit though that listening so intently got tiring after forty-five minutes or so.

Getting back to the blue bandaid, I got some nice smiles from the people at Venus Envy.

Second Stop - Barrymores

The Million Dollar Marxists are really good at what they do. What they do is very loud and with a fast, hard-edged drum beat. Not really what my companions were into. "I'm glad I paid your cover charges," I said to them.

"So are we," they replied.

As for the bandaid, nobody at Barrymores seemed to even notice it.

Third Stop - the Lone Star

I don't get out to the St. Laurent Lone Star very often. I don't know what it's like every night, but I can report that although I saw lots of cowboy hats, I saw no line dancing this Saturday.

They had a band I really enjoyed (although I think their name, Table 69, is stupid.). All sorts of great '80s hits, like the Romantics - What I Like About You. Exactly the stuff I like to dance to. When the band took a break, the dj played the same dance music you'd hear on Elgin at Maxwell's or in Benalmadena, Spain at the Marina Beach disco.

In short, if you don't mind driving to the boonies, not a bad place to go to hear music you can dance to. However, don't wear a blue bandaid on your forehead. People openly stared. Several asked "what's that?"

"It's a bandaid," I replied (although technically it's a generic brand "adhesive bandage".) Many of the people who stared scowled when they realized what it was. Because half of these people were large men who seemed generally unhappy with the way their evenings were going (or something else, I don't know... life in general? the demise of line-dancing?... any guesses?), it felt like it might get ugly.

I checked with my companions and determined that my yellow belt in judo from grade six was the highest martial arts qualification we possessed between us. I pointed out the nearest exit. "That's the direction to head for. You run. I'll pull off the bandage, show them the stitches, and do my best to slow them down."

But I'm not going to go back to "flesh" coloured bandaids. It's not the most important battle out there, but you have to take a stand against racism when you can.

Links:

Friday, October 20, 2006

Random Rant from Grumpy Guy: Dancing at Starbucks


Dancing at Starbucks
Originally uploaded by greenchartreuse.

We interupt this stream of binder clip postings to bring you the following message from Grumpy Guy:

Why is it that everytime I go to Starbucks for a coffee it sounds as if the "The Way I See It # ____" blurb on the cup sounds like something off of Scrimshaw's blog*?

Today's entry: "There are many times when dancing is the most unsupportable, ridiculous, unexpected and necessary action. Life should be spent finding those moments and tap dancing through them."

Perhaps I'm just being cynical, but this really doesn't encourage me to buy more coffee.

Sorry...I just had to get that out of my system. I'm OK now. Everyone can go back to work... move along... nothing more to see here.

____________________

* Not necessarily in one of his postings, but in a comment by one of his left-wing, bohemian friends/readers.


Thursday, October 12, 2006

Getting better with boredom

KAGEMI© Masafumi Sakamoto

I went to a dance performance this week at the National Arts Centre: Sankai Juku: KAGEMI - Beyond the Metaphors of Mirrors. I'm sorry to say that I didn't really enjoy it. When I realized it was going to be boring, I decided to try to get what I could from it.

Here are some of the thoughts that went through my head:

  • Maybe watching this performance will have some sort of positive effect on me that I'm not even aware of. Like meditation.
  • Oh, oh. Didgeridoo music. You know you're in trouble when you hear a didgeridoo.
  • Is the didgeridoo on Dave T's wank-o-meter? If not, it should be. And worth 25 points.
  • It's probably uncomfortable for performers to be covered in powder, but it makes neat effects when they clap their hands.
  • Am I jaded, or are obvious birth and death metaphors in a dance performance trite?
  • If I review this performance I have to work in how the dancers had only two facial expressions: neutral and the Macaulay Culkin Home Alone screaming face.
  • Why do I have to be so negative? Here is a group of artists who are doing their best to present art and I'm trying to come up with witty ways to put them down.
  • It's like when the Maple Leaf Brass Band played our concert of inaccessible music in Toronto. Sure, the audience hated it, but we worked hard to get those atonal pieces down and play them as the composers had written them.
  • Come to think of it, it is pretty obvious that only one person's artistic vision is informing this show.
  • Maybe that's why I enjoy a local DanceAbility, Collective Gulp or Grasshoppa Dance Exchange performance so much more. Even when there's only one choreographer, with so much improvisation, the dancers all contribute to the artistry of the performances.
  • So maybe my blog would be better if I had other people working on it.
  • Say is that a cello on the soundtrack? Now things will get better. Everything improves when there is cello accompaniment.

Thursday, September 21, 2006

Show-Stoppers

The universe has been telling me that it's time to remind people of Show-Stoppers for All.

Back in 1993, I put out a new edition of Scribbles that included my proposal for making big production music and dance numbers part of our daily life. Thirteen years later, I'd all but forgotten the idea.

But then, I got an email from Cece. Back in '93, Cece was the one Scribbles subscriber who really got into Show-Stoppers for All. She told me she'd been handing out photocopies of it. (I'm ashamed to say that I worried about my intellectual property rights back then and thought about telling her she was violating my copyright.) In her July email, she told me about musical things she was doing with her elementary school students:

We sing and dance a lot at school. I do not hold back when singing "Mother Goony Bird" or "The Wishy-Washy Washerwoman." Very few of the kids can resist joining in.

One of my own innovations that I love to do is "dancing the rhythm cards". There is a set of about 35 cards with 4-beat note patterns on them. Sometimes we go through them and clap them, sometimes we go through them and count them, but as I got familiar with the cards I discovered that I could hold them in my own mind and do movement with them in mind.

I usually do a rhythm twice, the first time without verbalizing anything. They try to repeat what I do, and then I say what I'm doing as I do it again. "Knees, shoulders, stomp-stomp-stomp." And they repeat. So our class is very easy to teach dances to, with that foundation.

The next reminder was coming across a link to Reach: A Lecture Musical on YouTube:

Reach is wonderful. But imagine if everyone in the class had jumped up and started singing along.

I attended two performances at the NAC last week: John Prine on Tuesday night and Rossini's opera of the Barber of Seville on Wednesday. Both shows were terrific.

A fellow named Dan Reeder opened for Prine. He had a collection of songs that were oddly effective and pleasing. He had the whole audience singing along to one where the only lyrics were "I've got all the f----ing work I need".

I was reminded that repetition goes well with music again the next night at the Barber of Seville. With all the repeated lyrics you only have to glance at the surtitles now and then.

Of course, Figaro's big solo near the beginning was the best part, but like most operas, I always loved it when the chorus was on stage and everyone was singing. (Especially this time because John Burns was in the chorus! Remind me to call him up and ask him how he got the gig.)

Getting back to Show-Stoppers for All, I realize now that my original article emphasized the wrong thing. Rather than starting with how we'd set limits on the music so that it didn't disrupt our lives too much, I should have focussed on how we bring about the cultural revolution. Here's what we need:

  1. People who start singing about what's happening. For instance, when I got back to the office from my settlement conference today, I could have just started singing something like "it went great, it went swell, the judge stayed the action, the judge stayed the action, the judge stayed the action, he gave them sixty days, only sixty days, to amend their claim, and if they should fail to, I believe they will fail to, you know what we can do..."
  2. People who spontaneously join in when others start singing. Yes, when I started singing, rather than look at me like I'm a kook, the others in the office could have joined in, sure they wouldn't have known what I'd sing, but a couple of them could have softly accompanied by going "it went great, it went swell," a few times, and then "sixty days, sixty days" and then when I reached the end, we'd all sing together "we can move for dismissal! Yes, we can move for dismissal!"

[Just in case you read #1 too fast, I did not in fact start singing when I returned to the office today from the settlement conference. But, seriously, it would have been appropriate.]

Friday, August 04, 2006

City of Moves (Outside) Dance Performance

As I predicted, City of Moves (Outside) was amazing.

Lots of energy, kids and parents everywhere.

Click the photo if you'd like to see other photos I took.

[CITY OF MOVES is a series of youth mentorship dance projects targeting Ottawa east end youth with disability.]

Thursday, Aug 3rd, 1pm

Overbrook Park 33 Quill St, Ottawa map

Tuesday, August 01, 2006

Cultural Anthropology at the Marina Beach

As promised, here are my field sketches from the nightclub research in Benalmadena, Spain.

The Club

The Marina Beach is across from the Burger King and down a flight of stairs. On our initial scouting of the marina area, our fieldwork team decided the beanbag chairs and the costuming of the staff would make for a more lively outing than other clubs seemed to offer.

We conducted our research over four separate visits. For our first visit, we arrived at 10:30pm on a Saturday night. Not being ready for the beanbags, we took up a position at a tall round table with bar stools that allowed us good sightlines of the outer area of the club.

The Staff

When I discovered two muscular young men with no shirts fixing their hair and donning sarongs in the washroom, I was nervous that my blue shorts and golf shirt look would prevent me from blending in when other customers arrived. It turned out that these men were in fact club staff.

After being in the club for about 30 minutes, the DJ played Madonna's latest hit. "We have to dance to this," announced our team leader, Marcie. Beverley guarded our table while Marcie and I went to the dance floor. Distracted by our gyrations it was only halfway through the song that we noticed the staff had hung a heavy rope across the entrance to the dance floor. As they hadn't asked us to stop, we continued dancing for several more songs until they began playing a hiphop number that our team leader determined was unsuitable.

We stepped over the rope and rejoined Beverley.

divider

Because we'd been inside on the dance floor, we missed the first performance by the bar staff. All of them, both men and women had climbed onto the bars and other high surfaces and danced. At a certain point they all threw handfuls of tissue paper squares into the air that fluttered to the floor and onto our tables.

For some reason, watching some of the more athletic female staff perform caused our team leader to announce more than once that she would in future be restricting her diet. The performance of the male staff did not have this effect on any male members of the fieldwork teamdivider

The Revellers

At about midnight, the club began to fill with customers; all wearing more clothing than the staff. The female members of our team blended in perfectly with the other customers. I must report that my above-the-knee shorts and (slightly) grey hair set me apart from other male customers. Dancing on the roped-off dance floor, my "style" of dancing, filling an empty beer bottle with water, and my sketching may also have resulted in the regulars sensing an "outsider" in the club and moderating their behaviour.

The rope was removed somewhere between 12:30 and 1:00am. Perhaps during one of the big dance numbers.

divider

Over the course of the evening, three or four parties of women wearing coordinated outfits arrived. We determined that these were "bachelorette" or "staggette" parties. On our second visit to the club, I interviewed some young women who had attended teachers training college together in Birmingham. They reported that it had become big business in Britain for tour companies to arrange trips for brides-to-be and their friends to places like the Costa del Sol. The packages included transportation, accomodations, an itinerary of clubs to go to and the coordinated outfits.

On our first night, the most striking group were all from Spain. Some wore tank tops that said "Se nos casa la pache".Note 1 They all wore black and white leopard spot cowboy hats and sheriff's badges with small plastic penises extending from them.

During the evening, each of the brides-to-be knelt on the bar and drank a cocktail that was tucked into the shorts of one of the male staff. This apparently symbolic ritual seemed to be highly popular with the brides companions.

The Music

While some of the team members were able to dance (after a fashion) to any of the mixture of disco, reggaetón,Note 2 hiphop, house and other dance music, our team leader felt it necessary to maintain high standards and only dance to the right music. In order for her to communicate to the disc jockey what sort of music would be appropriate, a junior team member loaned her a pen and provided her a 3"x5" index card from his collection.divider

The Team

Cultural anthropology is tiring work. Fortunately the Marina Beach provides large matresses for lounging along with the bean bag chairs which proved to be more comfortable than I recall my old 1980 beanbag chair being.

divider The final illustration was sketched by our intern Beverley (promoted to full-fledged anthropologist by our third visit) and coloured by junior team member Scrimshaw.

Links: Map

Photos:

  • 22/07/2006 - Fiesta en Marina Beach1 2 - a night we were there
  • 08/07/2006 - Sábado noche en Marina Beach 1 2

Sunday, July 23, 2006

Marina Beach

I'm a little tired today. Cultural anthropology is a draining activity. Last night's field work took place in Benalmadena, just down the coast from Torremolinos at an establishment called Marina Beach.

I'm hoping that photos taken by the young women from Te vi fiesta from last night get posted otherwise you might not believe me that amongst all the young revellers were middle aged and elderly women accompanying a bride-to-be who were all wearing leopard spot cowboy hats, black outfits and sherrif's badges with tiny plastic penises stuck to them.

Of course, I have a sketch of one, but it will be a while before I can get it scanned.

Friday, July 07, 2006

Recommended Event - City of Moves

CITY OF MOVES is a series of youth mentorship dance projects targeting Ottawa east end youth with disability. The Fundraiser Sunday July 9, 2006. Bronson Centre Theatre. 7pm. Performances by: * CITY OF MOVES youth mentors (Denbeigh Bowes, Robert Chartier, Benjamin Firth, Mark Mosielski, Chris Wheeler) * Mike Essoudry, Olivier Fairfield, Linsey Wellman * Grasshoppa Dance Exchange * Steve Wint (hip hop) and DanceAbility * Dr. Lee * Lainie Towell (Sufi Girl) * Yayé Drum and Dance (and friends) * Ottawa Voices Tickets $20 To reserve in advance call SHARA WEAVER (city of moves director) @ 233-6629/240-9775. sweaver@magma.ca Or buy them at the door! Appetizers compliments of Mekong Restaurant; 637 Somerset St. West. [Why should you go? a) it's a great cause; b) it's a great opportunity to see a variety of performances that are fun and probably not like you often see.] [Google Calendar] <

Friday, May 19, 2006

DanceAbility - Monday, May 29, 7PM

Photo: Sandy Foote  Dancers: Dallacy Tukkiapik, Karla Lane, Robert Chartier

This event sold out last year. So although I've volunteered to help out with it, I'm not plugging it to increase sales.

I'm telling you about it because if you go, you'll be happy you did. (And perhaps feel some sort of gratitude that will result in you returning the favour or forgiving me the next time I do something stupid.)

You'll be happy because you'll be part of one of the most engaging performances you've ever seen and will learn something new about dancing. Something you didn't know there was to learn. If I could put it in words and tell you about it, I would. But you have to see it.

SPLASH! An evening of improvisational and choreographed dance by DanceAbility's Sunday community performing group. Co-directors of Sunday group: Renata Soutter and Shara Weaver Music: Dominique Saint-Pierre Special guest: Steve Wint

Come wearing beach wear (sun, swim or surf wear) for a chance to win prizes!

Tickets, $20 by pre-purchase only, will be mailed For payment by VISA call 613-238-7838 or contact theschoolofdance@magma.ca

For alternative ticket purchase arrangements call Renata 819-773-7523 or Shara 240-9775

Tickets will not be available at the door.

Appetizers compliments of Mekong Restaurant

CATCH THE WAVE AND BE MOVED!